Richard_Gill_(conductor)
MUSICIANmilestones...recent obits of classical and traditional popular music performers and composers
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Monday, October 29, 2018
Richard Gill (conductor)
Richard James Gill AO (4 November 1941 – 28 October 2018) was an Australian conductor of choral, orchestral and operatic works. He was known as a music educator and for his advocacy for music education of children.
Richard_Gill_(conductor)
Richard_Gill_(conductor)
Tuesday, October 23, 2018
Randolph Henning Hokanson (June 22, 1915 – October 18, 2018) was an American pianist
Randolph Henning Hokanson was an American pianist and professor emeritus at the University of Washington in Seattle. He was noted for his recordings of Bach, Schubert, Beethoven, Chopin, Liszt and Mendelssohn, and gave over 100 performances, including the complete cycle of Beethoven sonatas.
WIKIPEDIA
Saturday, October 6, 2018
Montserrat Caballé (12 April 1933 – 6 October 2018)
WIKIPEDIA
Montserrat Caballé, born Maria de Montserrat Viviana Concepción Caballé i Folch, was a Spanish operatic soprano. She sang a wide variety of roles, but is best known as an exponent of the works of Verdi and of the bel canto repertoire, notably the works of Rossini, Bellini, and Donizetti. Wikipedia
Montserrat Caballé, born Maria de Montserrat Viviana Concepción Caballé i Folch, was a Spanish operatic soprano. She sang a wide variety of roles, but is best known as an exponent of the works of Verdi and of the bel canto repertoire, notably the works of Rossini, Bellini, and Donizetti. Wikipedia
Tuesday, October 2, 2018
Stelvio Cipriani
Cipriani became prolific in the Italian film world and was awarded a Nastro d'Argento for Best Score for The Anonymous Venetian (1970).
One of Cipriani's most famous scores is from the 1973 film La polizia sta a guardare (The Great Kidnapping). The main theme was recycled by Cipriani in 1977 for the score to Tentacoli, and was brought to the public's attention again in 2007 when it was featured in Quentin Tarantino's Death Proof.
Cipriani's scores for the films of the "La Polizia..." series were different arrangements over the same theme. Some of those themes were used in the soundtrack of the couple Hélène Cattet & Bruno Forzani's first feature Amer.
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