George Wolfgang Cleve (1935 or 1936 – August 27, 2015) was an Austrian born American musical conductorMr. Cleve, who was born in Vienna, fled with his family to the United States and spent most of his American career on the West Coast.NYTimes Obit
Cleve studied at the High School of Music and Art and the Mannes College of Music. His conducting teachers included Pierre Monteux, Leonard Bernstein, George Szell and Franco Ferrara. He guest conducted many orchestra in both the United States, Great Britain, and continental Europe, including the New York Philharmonic, Los Angeles Philharmonic, the Montreal Symphony, the Philadelphia Orchestra, the Royal Philharmonic, the Swedish Radio Orchestra, the Russian National Orchestra, and the Singapore Symphony, among others.
Cleve was appointed music director of the Winnipeg Symphony Orchestra for the 1969-70 season, and then served as the music director of the San Jose Symphony from 1972 to 1992. Cleve was also an active opera conductor, having led performances of Carmen with the San Francisco Opera, Don Giovanni, Pagliacci, and Cavalleria rusticana with Opera San José, and other productions with the Opera Company of Philadelphia, San Francisco Spring Opera, Long Beach Opera, the Spoleto USA Festival and the Mannheim Opera. Cleve was the founder, in 1974, and director of the Midsummer Mozart Festival in the San Francisco Bay Area.
Cleve died at the age of 79 in Berkeley, California in 2015.
VIDEO: George Cleve conducts the National Philharmonic Orchestra of Russia...Schumann, Symphony no. 4
Miron, born in 1919, (died January 29, 2015 at 95). He left Poland at the age of 19, thus avoiding the Holocaust. In 1941, while serving in the Jewish Brigade of the British forces, he composed the melody for lyrics written by Chagiz. The song became popular in Palestine and was played on the Israeli radio.
Julius Grossman, who did not know who composed the song, wrote the so-called third part of 'Tzena' about November 1946. Gordon Jenkins made an arrangement of the song for The Weavers, who sang it with Jenkins' orchestra as backing. The Jenkins/Weavers version, released by Decca Records under catalog number 27077, was one side of a two-sided hit, reaching #2 on the Billboard magazine charts while the flip side, "Goodnight Irene," reached #1.
Cromwell Music Inc., a subsidiary of Richmond/TRO, claimed the rights to the song, and had licensed the Decca release. They alleged the music to have been composed by a person named Spencer Ross, though in reality this was a fictitious persona constructed to hide the melody's true authorship. Mills Music, Inc., Miron's publisher, sued Cromwell (TRO) and won. The presiding judge also dismissed Cromwell's claim that the melody was based on a traditional folk song and was thus in the public domain.
Arounds the '80s, Israeli folk star Ron (Ran) Eliran recorded the song along with 14 more songs by Miron to make a CD together called, Sing to Me Eretz Yisrael.
The original English lyric, written by Mitchell Parish, was greatly altered in the version recorded by The Weavers. Other charting versions were recorded by Vic Damone and Mitch Miller's Orchestra. A humorous version, entitled "Tzena, Tzena, Tzena, Tzena" was recorded by the Smothers Brothers on their 1961 debut album, The Smothers Brothers at the Purple Onion. The newest version was released in October, 2012 by Bruce Berger, also known as Rebbe Soul. The arrangement is highly rhythmic, contemporary, and upbeat. Guitarist Chet Atkins also recorded the song--without lyrics--on his 1960 album The Other Chet Atkins
Born in Schwäbisch Hall, Wolfgang Gönnenwein studied music and German studies at the University of Heidelberg and the University of Tübingen. In 1959 he became the conductor of the choir Süddeutscher Madrigalchor (South German Madrigal Chorus). He also conducted the choir of the Bach-Verein Köln (de) from 1969 until 1973.
In 1968 he was appointed Professor for choral conducting at the Staatliche Hochschule für Musik und Darstellende Kunst Stuttgart, in 1973 he was elected Rektor (president), serving until 1982. He also directed the Ludwigsburger Schlossfestspiele (de) until 2004.
He was Generalintendant (General Manager) of the Staatstheater Stuttgart from 1985 to 1992.
For EMI, Gönnenwein recorded many of Bach's sacred works, including the St Matthew Passion, as well as Haydn's oratorios and Mozart's Requiem.
Gönnenwein died on 26 July 2015 at the age of 82
